109 bars of 4/4 at 120 BPM, about 3:38 of playing, on crash, hi-hat, snare and kick.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 2-13, silence through bars 14-15, hi-hat through bars 16-21, snare through bars 22-35, hi-hat through bars 36-50 and silence through bars 51-53, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 22-35, 54-69 and 81-93, and 1 more place -- 57.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
23
1e+a2e+a3e+a4e+a
SD |----x-x-----x---|
BD |x-x-----x-x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 6 out of 100; the rest of the number is everything around it.
109 bars, about 3:38 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.