107 bars of 4/4 at 130 BPM, about 3:18 of playing, on crash, hi-hat, snare, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-26, toms through bars 27-46, hi-hat through bars 47-54, toms through bars 55-74 and hi-hat through bars 75-82, and 1 more change after that.
The beat the song is built on is one bar, played through bars 31-46, 59-61 and 63-65, and 8 more places -- 43% of every bar the kit plays. Learn that one and most of the song is already under your hands.
31
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
FT |---x-------x----|
BD |x-----x-x-----x-|2 fills to learn, played 10 times: bars 27, 28, 29, 30, 55, 56 and 4 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
107 bars, about 3:18 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
2 fills to learn, played 10 times: bars 27, 28, 29, 30, 55, 56 and 4 more.