179 bars at 192 BPM -- fast, and 3:44 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-4, snare through bars 5-12, hi-hat through bars 13-28, snare through bars 29-36, silence through bars 37-40 and hi-hat through bars 41-54, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 45-51, 53-54 and 78-80, and 5 more places -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
46
1e+a2e+a3e+a4e+a
HH |x-o-x-o-x-o-x-o-|
SD |----x-------x---|
BD |x---x---x---x---|16 fills to learn, played 53 times: bars 4, 5, 8, 9, 28, 52 and 47 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
192 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
179 bars, about 3:44 at the written tempo. The course breaks it into 56 exercises over 19 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 53 times: bars 4, 5, 8, 9, 28, 52 and 47 more.