102 bars of 4/4 at 150 BPM, about 2:29 of playing, on crash, ride, hi-hat, snare and kick.
75 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-14, hi-hat through bars 15-22, snare through bars 23-30 and hi-hat through bars 31-102.
The beat the song is built on is one bar, played through bars 41-43, 45-47 and 49-51, and 3 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
41
1...........2...........3...........4...........
HH |o-----------o-----------o-----------o-----------|
SD |------------------------x-----------------------|
BD |x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--|1 fill to learn, played 1 time: bar 85.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
102 bars, about 2:29 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 85.