207 bars of 3/4 -- not four -- at 162 BPM, 3:50 of playing on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
27 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-30, hi-hat through bars 31-77, snare through bars 78-86, hi-hat through bars 87-136, silence through bars 137-143 and hi-hat through bars 144-207.
The beat the song is built on is one bar, played through bars 33-39, 41-47 and 49-55, and 15 more places -- 66.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
34
1e+a2e+a3e+a
HH |o---o---o---|
SD |x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
162 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
27 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 3 out of 100; the rest of the number is everything around it.
207 bars, about 3:50 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.