228 bars of 4/4 at a walking 103 BPM, 8:51 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bar 1 and hi-hat through bars 2-228.
The beat the song is built on is one bar, played through bars 2-12, 14-20 and 22-28, and 32 more places -- 84.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
2
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----xg---x--x---|
BD |x-xx--xx--xx----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 6 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
228 bars, about 8:51 at the written tempo. The course breaks it into 6 exercises over 5 sittings, about 17 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.