132 bars at 160 BPM -- fast, and 3:18 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-16, silence through bars 17-21, hi-hat through bars 22-61, snare through bars 62-63, hi-hat through bars 64-68 and toms through bars 69-71, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 22-24, 26-28 and 31-32, and 13 more places -- 26% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
22
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-------x-------|8 fills to learn, played 20 times: bars 15, 37, 39, 45, 61, 67 and 14 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
132 bars, about 3:18 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 15, 37, 39, 45, 61, 67 and 14 more.