256 bars at 200 BPM -- fast, and 5:07 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-16, hi-hat through bars 17-22, snare through bars 23-24, hi-hat through bars 25-38, snare through bars 39-40 and hi-hat through bars 41-62, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 28, 99 and 102, and 6 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
102
1.....2.....3.....4.....
HH |o-----o-----o-----o-----|
SD |------x-----------x-----|
BD |x--x--x--x--x--x--x--x--|11 fills to learn, played 25 times: bars 24, 40, 41, 47, 88, 92 and 19 more.
It cuts the song into 61 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
256 bars, about 5:07 at the written tempo. The course breaks it into 61 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 25 times: bars 24, 40, 41, 47, 88, 92 and 19 more.