178 bars at 178 BPM -- fast, and 4:00 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 3-5, snare through bars 6-11, toms through bars 12-13, hi-hat through bars 14-53, snare through bars 54-59 and hi-hat through bars 60-65, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 7, 9 and 42, and 12 more places -- 9.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7
1e+a2e+a3e+a4e+a
CC |--x---x---x---x-|
SD |--x---x---x---x-|
BD |x---x---x---x---|16 fills to learn, played 34 times: bars 3, 12, 13, 21, 35, 36 and 28 more.
It cuts the song into 68 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
178 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
178 bars, about 4:00 at the written tempo. The course breaks it into 68 exercises over 18 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 34 times: bars 3, 12, 13, 21, 35, 36 and 28 more.