114 bars of 4/4 at 113 BPM, about 3:21 of playing, on crash, hi-hat, snare, high tom, floor tom and kick.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-9, hi-hat through bars 10-33, snare through bars 34-42, hi-hat through bars 43-50, snare through bars 51-58 and hi-hat through bars 59-74, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 10-24, 43-49 and 59-65 -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |xx--xx--xx--xx--|7 fills to learn, played 11 times: bars 33, 42, 50, 54, 58, 74 and 5 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
114 bars, about 3:21 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 33, 42, 50, 54, 58, 74 and 5 more.