168 bars of 4/4 at 120 BPM, about 5:36 of playing, on crash, hi-hat, snare, mid tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-64, snare through bars 65-80, hi-hat through bars 81-113, silence through bars 114-119, hi-hat through bars 120-144 and snare through bars 145-168.
The beat the song is built on is one bar, played through bars 1-7, 65-79 and 81-95, and 3 more places -- 36.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
145
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x--x----x--x|
BD |x-x---x-x-x---x-|9 fills to learn, played 14 times: bars 8, 24, 32, 48, 64, 80 and 8 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
168 bars, about 5:36 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
9 fills to learn, played 14 times: bars 8, 24, 32, 48, 64, 80 and 8 more.