74 bars of 4/4 at a walking 88 BPM, 3:23 of playing, on crash, ride, hi-hat, snare and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, ride through bars 5-13, hi-hat through bars 14-21, ride through bars 22-26, hi-hat through bars 27-34 and ride through bars 35-43, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 11 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |--x-x-x-x-x-x-x-|
SD |----x--x----x--x|
BD |x-------xx------|6 fills to learn, played 10 times: bars 15, 16, 17, 21, 30, 34 and 4 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
74 bars, about 3:23 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
6 fills to learn, played 10 times: bars 15, 16, 17, 21, 30, 34 and 4 more.