108 bars of 4/4 at 147 BPM, about 2:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
53 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
silence through bars 1-8, hi-hat through bars 9-16, snare through bars 17-25, hi-hat through bars 26-41, snare through bars 42-49 and silence through bars 50-55, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 17-19, 21-25 and 42-48, and 3 more places -- 39.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1.......2.......3.......4.......
CC |x-------x-------x-------x-------|
SD |----------------x---------------|
BD |x-------------------------------|3 fills to learn, played 9 times: bars 20, 41, 75, 87, 88, 89 and 3 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
147 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 19 out of 100; the rest of the number is everything around it.
108 bars, about 2:56 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 9 times: bars 20, 41, 75, 87, 88, 89 and 3 more.