79 bars of 4/4 at a walking 96 BPM, 3:18 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-21, snare through bars 22-31, hi-hat through bars 32-49, snare through bars 50-57 and silence through bars 58-61, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 23-30, 50-57 and 72-79 -- 34.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
23
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |xx-x--xx-xx--xx-|4 fills to learn, played 7 times: bars 8, 22, 35, 49, 69, 70 and 1 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
79 bars, about 3:18 at the written tempo. The course breaks it into 25 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 8, 22, 35, 49, 69, 70 and 1 more.