278 bars at 180 BPM -- fast, and 6:11 of it without a break -- on crash, hi-hat, snare, mid tom and kick.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 2-17, snare through bars 18-30, hi-hat through bars 31-33, kick and crashes through bars 34-36, snare through bars 37-38 and hi-hat through bars 39-47, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 133-137, 202-204 and 206-212, and 6 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
249
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-x---x-x-x---x-|12 fills to learn, played 19 times: bars 5, 9, 13, 17, 29, 37 and 13 more.
It cuts the song into 87 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
278 bars, about 6:11 at the written tempo. The course breaks it into 87 exercises over 26 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
12 fills to learn, played 19 times: bars 5, 9, 13, 17, 29, 37 and 13 more.