91 bars of 4/4 at a walking 108 BPM, 3:23 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-20, snare through bars 21-37, hi-hat through bars 38-39, snare through bars 40-42 and hi-hat through bars 43-55, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 22-36 and 57-71 -- 35.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
22
1e+a2e+a3e+a4e+a
SD |x-x-x-x-x-x-x-x-|
HF |-x-x-x-x-x-x-x-x|1 fill to learn, played 2 times: bars 55 and 90.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
91 bars, about 3:23 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
1 fill to learn, played 2 times: bars 55 and 90.