93 bars of 3/4 -- not four -- at 93 BPM, 3:03 of playing on hi-hat, snare, kick and hi-hat foot.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4 and hi-hat through bars 5-93.
The beat the song is built on is a 2-bar phrase, played through bars 7-8, 11-12 and 15-16, and 14 more places -- 37.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
7 8
1e+a2e+a3e+a 1e+a2e+a3e+a
HH |--o---o---o-|--o---o---o-|
SD |gg--Xg---X--|Xg--gg--Xg--|
BD |x-x----x---x|----x-x----x|
HF |x---x---x---|x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
93 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
93 bars, about 3:03 at the written tempo. The course breaks it into 9 exercises over 4 sittings, about 22 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.