107 bars of 4/4 at a walking 81 BPM, 5:16 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-9, hi-hat through bars 10-12, silence through bars 13-14, hi-hat through bars 15-81, silence through bars 82-84 and hi-hat through bars 85-107.
The beat the song is built on is one bar, played through bars 23, 25 and 27, and 20 more places -- 37.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
25
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |----x----x--x--x|
BD |x-x----x--x-----|15 fills to learn, played 32 times: bars 22, 24, 26, 28, 34, 38 and 26 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
81 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
107 bars, about 5:16 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 32 times: bars 22, 24, 26, 28, 34, 38 and 26 more.