166 bars of 4/4 at 153 BPM, about 4:20 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-6, hi-hat through bars 7-26, snare through bars 27-30, hi-hat through bars 31-42, snare through bars 43-58 and hi-hat through bars 59-86, and 7 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 7-10, 13-29 and 31-41, and 13 more places -- 77.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
7 8
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----o---o---o---|o---o---o---o---|
SD |----x-------x---|----x-------x---|
BD |x-------x-x---x-|--x-----x-x-----|7 fills to learn, played 22 times: bars 30, 42, 50, 58, 66, 74 and 16 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
153 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
166 bars, about 4:20 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 30, 42, 50, 58, 66, 74 and 16 more.