152 bars of 4/4 at a walking 94 BPM, 6:24 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 2-57, ride through bars 58-59, hi-hat through bars 60-83, ride through bars 84-85, hi-hat through bars 86-88 and ride through bars 89-106, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 6-32, 34-48 and 50-57, and 6 more places -- 66.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
7
1e+a2e+a3e+a4e+a
HH |--o---o---o---o-|
SD |----x-------x---|
BD |x-x-x-x-x-x-x-x-|
HF |g---g---g---g---|3 fills to learn, played 8 times: bars 59, 67, 85, 88, 90, 124 and 2 more.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
152 bars, about 6:24 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 59, 67, 85, 88, 90, 124 and 2 more.