149 bars at 166 BPM -- fast, and 3:35 of it without a break -- on crash, hi-hat, snare, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-36, hi-hat through bars 37-42, snare through bars 43-44, hi-hat through bars 45-50, snare through bars 51-58 and hi-hat through bars 59-74, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 1-27, 97-111 and 141-148 -- 33.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1
1e+a2e+a3e+a4e+a
SD |r-r-r-r-r-r-r-r-|
BD |x-x-----x-x-----|2 fills to learn, played 5 times: bars 36, 74, 82, 122 and 138.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
166 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
149 bars, about 3:35 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 29 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
2 fills to learn, played 5 times: bars 36, 74, 82, 122 and 138.