185 bars of 4/4 at 130 BPM, about 5:42 of playing, on crash, ride, hi-hat, snare and kick.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-116, ride through bars 117-118, hi-hat through bars 119-126, ride through bars 127-128 and hi-hat through bars 129-136, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 17, 20 and 22, and 24 more places -- 41.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x--x|
BD |x-x-----x-x-----|4 fills to learn, played 7 times: bars 88, 128, 138, 148, 152, 184 and 1 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
185 bars, about 5:42 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 7 times: bars 88, 128, 138, 148, 152, 184 and 1 more.