117 bars of 4/4 at 138 BPM, about 3:23 of playing, on hi-hat, snare and kick.
59 out of 100, a step up from a first song, and the work is in the speed of the hand keeping time.
snare through bar 1, hi-hat through bars 2-81, silence through bars 82-93 and hi-hat through bars 94-117.
The beat the song is built on is one bar, played through bars 26-49, 66-81 and 94-117 -- 61% of every bar the kit plays. Learn that one and the song is very nearly finished.
26
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the speed of the hand keeping time. The beat itself is 58 out of 100; the rest of the number is everything around it.
117 bars, about 3:23 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 25 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.