97 bars of 4/4 at 128 BPM, about 3:02 of playing, on crash, hi-hat, snare, mid tom and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4 and hi-hat through bars 5-97.
The beat the song is built on is one bar, played through bars 5-12, 16-27 and 37-44, and 3 more places -- 46.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x--x--x--x--|
BD |x--------x------|5 fills to learn, played 11 times: bars 28, 32, 36, 52, 62, 63 and 5 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
97 bars, about 3:02 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
5 fills to learn, played 11 times: bars 28, 32, 36, 52, 62, 63 and 5 more.