66 bars of 4/4 at 118 BPM, about 2:14 of playing, on crash, hi-hat, snare and kick.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-14, hi-hat through bars 15-20, silence through bars 21-24, hi-hat through bars 25-40, silence through bars 41-44 and hi-hat through bars 45-48, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 15-20, 25 and 27-31, and 3 more places -- 83.3% of every bar the kit plays. Learn that one and the song is very nearly finished.
15
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 7 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
66 bars, about 2:14 at the written tempo. The course breaks it into 7 exercises over 2 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.