74 bars of 4/4 at a walking 96 BPM, 3:00 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-3, hi-hat through bars 4-14, kick and crashes through bars 15-17, hi-hat through bars 18-35, silence through bars 36-38 and hi-hat through bars 39-55, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 5-8, 18-19 and 21-27, and 4 more places -- 40.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1.......2.......3.......4.......
HH |x---x---x---x---x---x---x---x---|
SD |--------x-----gg--------x-----gg|
BD |x---x-----x-----x---x-----x-----|6 fills to learn, played 12 times: bars 4, 10, 12, 14, 20, 28 and 6 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
74 bars, about 3:00 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 4, 10, 12, 14, 20, 28 and 6 more.