241 bars of 4/4 at 124 BPM, about 8:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-8, ride through bars 9-12, hi-hat through bars 13-28, ride through bars 29-59, hi-hat through bars 60-75 and silence through bars 76-78, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 29-31, 33-39 and 41-47, and 6 more places -- 31.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
29
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |--g-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |x---x---x---x---|11 fills to learn, played 37 times: bars 12, 13, 14, 15, 16, 20 and 31 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
241 bars, about 8:29 at the written tempo. The course breaks it into 49 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 37 times: bars 12, 13, 14, 15, 16, 20 and 31 more.