64 bars of 4/4 at a walking 79 BPM, 3:14 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, snare through bars 5-11, toms through bars 12-13, snare through bars 14-47, silence through bars 48-52 and snare through bars 53-64.
The beat the song is built on is a 2-bar phrase, played through bars 13-39, 41-46 and 53-59, and 1 more place -- 78.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
15 16
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
SD |----x----x--x---|----x----x--xx--|
BD |x--x--x---x-----|x--x--x---x---xx|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
79 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
64 bars, about 3:14 at the written tempo. The course breaks it into 8 exercises over 2 sittings, about 32 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.