145 bars of 4/4 at 150 BPM, about 3:52 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-24, snare through bars 25-55, toms through bars 56-57, silence through bars 58-64, snare through bars 65-118 and silence through bars 119-128, and 3 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 41-54, 89-102 and 105-111, and 1 more place -- 48% of every bar the kit plays. Learn that one and most of the song is already under your hands.
41 42
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |--------x-------|--------x-------|
BD |x-----x---x-x---|--x---x---x-xxxx|4 fills to learn, played 9 times: bars 32, 33, 34, 35, 36, 103 and 3 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 36 out of 100; the rest of the number is everything around it.
145 bars, about 3:52 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 32, 33, 34, 35, 36, 103 and 3 more.