69 bars of 4/4 at 140 BPM, about 1:57 of playing, on crash, ride, hi-hat, snare and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-8, hi-hat through bars 9-35, snare through bars 36-61, silence through bars 62-63, snare through bars 64-65 and silence through bars 66-67, and 1 more change after that.
The beat the song is built on is one bar, played through bars 9-10, 12-13 and 15-16, and 1 more place -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |x---x---x---x---|
BD |--x---x---x---x-|1 fill to learn, played 3 times: bars 26, 29 and 32.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 39 out of 100; the rest of the number is everything around it.
69 bars, about 1:57 at the written tempo. The course breaks it into 16 exercises over 4 sittings, about 28 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
1 fill to learn, played 3 times: bars 26, 29 and 32.