128 bars of 4/4 at 125 BPM, about 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
silence through bars 1-18, ride through bars 19-26, snare through bars 27-34, ride through bars 35-42, snare through bars 43-50 and toms through bars 51-58, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 51-57, 71-77 and 103-109, and 2 more places -- 35.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
51
1e+a2e+a3e+a4e+a
SD |----x--x-x--x--x|
T1 |-----xxx-----xxx|
FT |xxxxx---xxxxx---|
BD |x--x----x--x--x-|
HF |x-x-x-x-x-x-x-x-|7 fills to learn, played 9 times: bars 18, 26, 34, 58, 66, 78 and 3 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
128 bars, about 4:06 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 18, 26, 34, 58, 66, 78 and 3 more.