84 bars of 4/4 at a walking 92 BPM, 3:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-3 and hi-hat through bars 4-84.
The beat the song is built on is one bar, played through bars 13-19, 21-23 and 25-27, and 10 more places -- 56.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
14
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
HH |---x--x---x---x-|
SD |----x-------x---|
BD |x--x--x---x--x--|5 fills to learn, played 17 times: bars 12, 20, 24, 28, 32, 40 and 11 more.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
84 bars, about 3:39 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 17 times: bars 12, 20, 24, 28, 32, 40 and 11 more.