188 bars, 10:08, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-13, hi-hat through bars 14-20, silence through bars 21-23, kick and crashes through bars 24-25, hi-hat through bars 26-37 and ride through bars 38-51, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 111-131 -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
112
1...........2...........3...........
CC |------------------------------x-----|
HH |x-----x-----o-----x-----x-----------|
SD |------------x-----------------------|
BD |x-----x-----------x-----x-----x-----|13 fills to learn, played 30 times: bars 18, 19, 23, 27, 35, 37 and 24 more.
It cuts the song into 59 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
188 bars, about 10:08 at the written tempo. The course breaks it into 59 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 30 times: bars 18, 19, 23, 27, 35, 37 and 24 more.