207 bars of 4/4 at 147 BPM, about 5:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, ride through bars 4-5, silence through bars 6-7, ride through bars 8-9, silence through bars 10-11 and ride through bars 12-13, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 25-27, and 3 more places -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |----x-------x--x|
BD |x-x---x-x-----x-|11 fills to learn, played 42 times: bars 20, 57, 58, 59, 60, 61 and 36 more.
It cuts the song into 55 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
147 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
207 bars, about 5:22 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 42 times: bars 20, 57, 58, 59, 60, 61 and 36 more.