73 bars of 4/4 at a walking 105 BPM, 2:44 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-47, silence through bars 48-52 and hi-hat through bars 53-73.
The beat the song is built on is one bar, played through bars 1-18, 23-35 and 40-47, and 1 more place -- 86.8% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
CC |----x-----------|
RD |------------x---|
HH |x-x-x-x-x-x-x-x-|
SD |----x--x----x---|
BD |x--x----x--x----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
73 bars, about 2:44 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.