88 bars of 4/4 at 122 BPM, about 3:21 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-20, kick and crashes through bars 21-22, snare through bars 23-36, hi-hat through bars 37-44, snare through bars 45-74 and silence through bars 75-88.
The beat the song is built on is one bar, played through bars 1-12 -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1
1e+a2e+a3e+a4e+a5e+a
SD |xx--xx----xxxxxxxx--|
HF |--------x-----------|7 fills to learn, played 14 times: bars 16, 20, 24, 30, 32, 34 and 8 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
88 bars, about 3:21 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
7 fills to learn, played 14 times: bars 16, 20, 24, 30, 32, 34 and 8 more.