222 bars of 4/4 at 128 BPM, about 6:55 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-6, ride through bars 7-14, hi-hat through bars 15-21, ride through bars 22-29 and hi-hat through bars 30-181, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 2-5, 15-17 and 19-20, and 29 more places -- 59% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3
1.....2.....3.....4.....
HH |o--o--o--o--o--o--o--o--|
SD |------x-----------x-----|
BD |x-----------x--------g--|13 fills to learn, played 22 times: bars 6, 21, 36, 64, 87, 89 and 16 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
222 bars, about 6:55 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 22 times: bars 6, 21, 36, 64, 87, 89 and 16 more.