68 bars of 4/4 at 138 BPM, about 1:58 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-6, snare through bars 7-9, ride through bars 10-20, hi-hat through bars 21-22, ride through bars 23-30 and hi-hat through bars 31-32, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 10, 12 and 16, and 12 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1.....2.....3.....4.....
RD |x-----x-----x-----x-----|
SD |------------x-----------|
BD |------x-----------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
68 bars, about 1:58 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.