97 bars of 4/4 at 133 BPM, about 2:55 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bar 1, hi-hat through bars 2-61, snare through bars 62-64 and hi-hat through bars 65-97.
The beat the song is built on is a 2-bar phrase, played through bars 18-20, 22-24 and 26-28, and 9 more places -- 36.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
18 19
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-------------x-|----------------|
HH |----o-o-o-o-o---|o-o-o-o-o-o-o---|
SD |----x-------x---|----x-------x---|
T2 |----------------|--------------x-|
FT |----------------|---------------x|
BD |x-------x-x---x-|x-----x---------|11 fills to learn, played 14 times: bars 1, 17, 33, 41, 49, 51 and 8 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
97 bars, about 2:55 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 14 times: bars 1, 17, 33, 41, 49, 51 and 8 more.