102 bars of 4/4 at 125 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-23, hi-hat through bars 24-30, snare through bars 31-45, hi-hat through bars 46-64, ride through bars 65-76 and silence through bars 77-86, and 1 more change after that.
The beat the song is built on is one bar, played through bars 24-25, 28-29 and 36-40, and 6 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
24
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |x-x-----x-x-----|3 fills to learn, played 3 times: bars 35, 43 and 55.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 39 out of 100; the rest of the number is everything around it.
102 bars, about 3:14 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 35, 43 and 55.