192 bars of 4/4 at 132 BPM, about 5:49 of playing, on crash, hi-hat, snare, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-20, hi-hat through bars 21-52, toms through bars 53-60, hi-hat through bars 61-84, toms through bars 85-92 and hi-hat through bars 93-110, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 21-25, 29-35 and 51-52, and 6 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
21
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|4 fills to learn, played 19 times: bars 56, 57, 58, 59, 60, 85 and 13 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
192 bars, about 5:49 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 19 times: bars 56, 57, 58, 59, 60, 85 and 13 more.