208 bars at 192 BPM -- fast, and 4:16 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-18, hi-hat through bars 19-42, ride through bars 43-48, hi-hat through bars 49-52, snare through bars 53-60 and hi-hat through bars 61-84, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 61-64, 123-137 and 142, and 8 more places -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
62
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-x-----x-x-----|14 fills to learn, played 24 times: bars 22, 26, 42, 48, 50, 52 and 18 more.
It cuts the song into 68 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
192 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
208 bars, about 4:16 at the written tempo. The course breaks it into 68 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 24 times: bars 22, 26, 42, 48, 50, 52 and 18 more.