91 bars of 5/4 -- not four -- at 151 BPM, 3:01 of playing on ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
68 out of 100: demanding, mostly on the speed of the hand keeping time.
hi-hat through bars 3-11, ride through bars 12-36, hi-hat through bars 37-50, ride through bars 51-70, hi-hat through bars 71-73 and silence through bars 74-91.
The beat the song is built on is one bar, played through bars 17-19, 21-27 and 29-31, and 6 more places -- 43.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1e+a2e+a3e+a4e+a5e+a
RD |xxxxxxxxxxxxxxxxxxxx|
SD |x-----x-----x---x---|
BD |--x-----x-x---x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
151 BPM, in 5/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the speed of the hand keeping time. The beat itself is 73 out of 100; the rest of the number is everything around it.
91 bars, about 3:01 at the written tempo. The course breaks it into 19 exercises over 7 sittings, about 24 minutes each.
ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.