198 bars of 4/4 at 120 BPM, about 6:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-19, hi-hat through bars 20-37, silence through bars 38-47, hi-hat through bars 48-73, snare through bars 74-90 and silence through bars 91-92, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 26, 28 and 30, and 9 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
99
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-------|
BD |xxxxxxxxxxxxxxxx|23 fills to learn, played 75 times: bars 16, 17, 18, 23, 24, 25 and 69 more.
It cuts the song into 61 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
198 bars, about 6:56 at the written tempo. The course breaks it into 61 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 75 times: bars 16, 17, 18, 23, 24, 25 and 69 more.