150 bars of 4/4 at a walking 92 BPM, 6:30 of playing, on crash, hi-hat, snare and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-9, hi-hat through bars 10-62, snare through bars 63-68, hi-hat through bars 69-71, silence through bars 72-74 and kick and crashes through bars 75-80, and 1 more change after that.
The beat the song is built on is one bar, played through bars 10-12, 14-62 and 69-71, and 1 more place -- 90.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
10
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x--x--x-x-x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 7 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
150 bars, about 6:30 at the written tempo. The course breaks it into 7 exercises over 2 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.