132 bars at 166 BPM -- fast, and 3:11 of it without a break -- on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-7, toms through bars 8-11, hi-hat through bars 12-20, snare through bars 21-43, ride through bars 44-59 and snare through bars 60-83, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 20-43 and 60-83 -- 39% of every bar the kit plays. Learn that one and most of the song is already under your hands.
21
1e+a2e+a3e+a4e+a
SD |x-x-X-X-x-x-X-x-|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
166 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 12 out of 100; the rest of the number is everything around it.
132 bars, about 3:11 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.