124 bars of 4/4 at 123 BPM, about 4:02 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, hi-hat through bars 6-40, ride through bars 41-42, hi-hat through bars 43-44, ride through bars 45-46 and hi-hat through bars 47-64, and 24 more changes after that.
The beat the song is built on is one bar, played through bars 7, 9 and 11, and 26 more places -- 45% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x--x--x-x--x--x-|14 fills to learn, played 23 times: bars 6, 16, 32, 40, 56, 60 and 17 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
124 bars, about 4:02 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 23 times: bars 6, 16, 32, 40, 56, 60 and 17 more.