137 bars of 4/4 at 126 BPM, about 4:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bar 1 and hi-hat through bars 2-137.
The beat the song is built on is a 2-bar phrase, played through bars 2-8, 10-24 and 26-40, and 3 more places -- 59.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2 3
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |--x---x-x-x---x-|x-x---x-x-x---o-|
SD |----x-------x---|----x-------x---|
FT |----x-------x---|----x-------x---|
BD |x-----x-x-------|x-----x-x-------|4 fills to learn, played 10 times: bars 1, 9, 25, 41, 49, 65 and 4 more.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
137 bars, about 4:20 at the written tempo. The course breaks it into 21 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 1, 9, 25, 41, 49, 65 and 4 more.