377 bars at 210 BPM -- fast, and 7:09 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.
silence through bars 1-17, toms through bars 18-19, silence through bars 20-21, toms through bars 22-24, snare through bars 25-27 and silence through bars 28-33, and 29 more changes after that.
The beat the song is built on is one bar, played through bars 43-44, 47 and 51-52, and 21 more places -- 14.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
43
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |x---------------|
BD |--------xxxxxxxx|26 fills to learn, played 87 times: bars 18, 22, 23, 24, 25, 30 and 81 more.
It cuts the song into 96 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 34 out of 100; the rest of the number is everything around it.
377 bars, about 7:09 at the written tempo. The course breaks it into 96 exercises over 26 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 87 times: bars 18, 22, 23, 24, 25, 30 and 81 more.