214 bars at 176 BPM -- fast, and 4:42 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-3, toms through bars 4-7, snare through bars 8-16, toms through bars 17-19, silence through bars 20-23 and kick and crashes through bars 24-27, and 12 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 64-69, 72-74 and 76-77, and 9 more places -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
64 65
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |--------x-------|--------x-------|
BD |x-----x-------x-|--x-x-----x---x-|20 fills to learn, played 47 times: bars 6, 7, 13, 15, 26, 27 and 41 more.
It cuts the song into 77 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
176 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
214 bars, about 4:42 at the written tempo. The course breaks it into 77 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 47 times: bars 6, 7, 13, 15, 26, 27 and 41 more.